Creative Detours

I’ve been exploring projection mapping with tools like After Effects, TouchDesigner, MadMapper, and Resolume, focusing on forms, textures, and movement in space. Last year, I collaborated on Entre la Tierra y el Mar, animating illustrations by Professor Mila Huby from PUCP. The piece was presented at PUCP with visiting professor Gary Craig from San José State University (California) and students from the PUCP School of Art and Design. The project combined maps, animation, and projection to reflect on Lima’s past, present, and future, drawing from the Lima culture’s cosmovision. This exploration was guided by Milagritos Jiménez, Head of the Josefina Ramos de Cox Museum, whose research focuses on coastal life, landscape dynamics, and environmental impact.

I’ve been exploring cyanotype as a way to work with light, material, and time. In workshops with Lorena Rada, I experimented with creating images on fabric using natural elements, photographic negatives, and sunlight. These experiments helped me learn about textile cyanotype processes, from surface preparation to conservation, and opened new questions about how images interact with the body, space, and memory.

I look for spaces that treat art and creative practice as ways of thinking and learning collectively. I’m drawn to workshops that mix sound, dramaturgy, philosophy, and literature as opportunities to explore other ways of making, imagining, and relating. For me, these spaces are also a kind of ethnographic experience, where I get to be inside the process and see how ideas, disciplines, and ways of knowing collide, overlap, and shift.